Fear Factor [Jack Chick's] formula and drawing style have changed little in five decades. When an archivist at the Pasadena Playhouse began rooting through old boxes in the late '90s, she discovered drawings that he had done in 1948. The single-panel cartoons revealed the same perspiring characters, pop-eyed faces, and 1940s Sunday-comics sensibilities of his current tracts. "He's not worried about impressing other cartoonists, which is kind of what motivates a lot of cartoonists to pick up their chops a little bit," says Clowes. "There's something really interesting about seeing a cartoonist not develop at all." Art Spiegelman, who won a Pulitzer Prize for Maus, a graphic novel about the Holocaust, is less kind. "It makes me despair about America," says Spiegelman, "that there are so many people who read these things." -- via Hit & Run

The definitive biography of everyone's favorite cartoonist.